​2025

• "Langfjordjøkelen" for Soprano Saxophone, Accordion, and Tape performed by Andrey Fjeldstad and Isaac Boulter as part of Fjord Fantasia at the Royal Birmingham Conservatoire - 27th of February.
• "Valkyrie" for Soprano Saxophone and Virtual Orchestra performed by Andrey Fjeldstad as part of Fjord Fantasia at the Royal Birmingham Conservatoire - 27th of February.
• "Rebolero" for Alternative Orchestra performed by the Royal Birmingham Conservatoire's Alternative Orchestra 2024/25 - 7th of February.

2024

• "Ruten Bundles" for Tuned Percussion Sextet performed by the Royal Birmingham Conservatoire's Percussion department - 17th of December. ​
• "Sweat" for Orchestra and Performer workshopped by Cerddwn at the Aberystwyth Arts Centre - 17th of November.
  
• "Oblivion, The Fix" for Oboe, Electronics, and Lighting digital premiere by Jack Mouradian - 9th of October.
• "A Users Guide to Getting Back Into Your Bit Once It's Starting to Be Gentrified" for Rapper and String Orchestra performed by the Glasgow Barons Orchestra and Solareye - 12th of July.
• "Bernstein Wood" for Open Ensemble performed by the Hadit Collective as part of "Derive: New Music Wanderings" - 3rd of May. 
• "Site of Expectation" for Open Ensemble performed by the Hadit Collective as part of "Derive: New Music Wanderings" - 3rd of May. 
• "City Song: Birmingham" for Open Ensemble performed by the Hadit Collective as part of "Derive: New Music Wanderings" - 3rd of May. 
• "They Can't Hurt Me Now" for Piano, Virtual Piano, and Film performed by Aidan Teplitzky as part of Birmingham New Music's Birmingham Night - 24th of April. 
• "Hunger" for Trombone Quartet and Tape performed by Tetrachord as part of Birmingham New Music's New Forms - 13th of March.
• "Wind Sick" for Performer performed by Aidan Teplitzky as part of Birmingham New Music's Nature Night - 31st of January.
• "Martland" for Alternative Orchestra performed by the Royal Birmingham Conservatoire's Alternative Orchestra 2023/24 - 19th of January.

2023

• "Bloodhound" for Alto Saxophone and Electronics performed by Aidan Teplitzky as part of Birmingham New Music - Montage Night - 13th of December. 
• "Theme with Variations Forced by Expectations" for Alto Saxophone and Film performed by Aidan Teplitzky as part of Birmingham New Music - Montage Night - 1st of November. 
• "Another Country" for Basset Clarinet and Tape performed by Dov Goldman as part of Psappha Ensemble's "Composing For Clarinet 2022/23" scheme - Digital premiere 4th of August. 
• "The Weight of History" and "Background Etudes" for Violin and Film performed by Sean Morrison - 14th of June.
• "Theme with Variations Forced by Expectations" for Alto Saxophone and Film performed by Andrey Fjelstad as part of The Hadit Collective - That's Beautiful That Is! - 26th of May.
• "Attempts at Being a Sophisticate" for Chamber Ensemble performed by the Hadit Collective as part of The Hadit Collective - Fresh Faced - 15th of March.
• "Punk, Trademarked" for Open Ensemble performed by the Thallein Ensemble as part of Thallein Freeform Concert - 10th of March. 
• "Baguette Baton" for Orchestra, Five Voices, and Projector performed by the Orkest de Ereprijs as part of their Young Composers Meeting 2023 - 4th of March.
• "The Damned" Recorder Concerto performed by Aidan Teplitzky - 21st of February. 
• "Head Down" for Open Ensemble performed by the Hadit Collective as part of The Hadit Collective - Ad-Hoc - 15th of February. 
• "Otamatone Concerto" for Otamatone and Virtual Orchestra performed by Aidan Teplitzky as part of Birmingham new Music's Interdisciplinary Gig - 25th of January. 

2022

• "Night Bus Dreaming" for Low Brass Quartet and Film performed by the Broken Bones Quartet as part of Birmingham New Music's "New Forms" concert - 14th of December.
• "Escapism" for Chamber Ensemble performed by the Hadit Collective as part of Birmingham New Music's Montage Night - 30th of November. 
• "Pearlies or Ornamentations Taking Over a Theme" for Orchestra performed by the Sydney Conservatorium of Music's  Orchestra and the Royal Birmingham Conservatoire Orchestra - 24th of November.
• "Playing for a Wall" for Performer on display as part of the Working Class Creatives Database Exhibit at BREW in Hull - 1st to 15th of July.
• "Playing for a Wall" for Performer performed by Aidan Teplitzky at CODA 2022 as part of "Working Classical Music" - 14th of June
• "Seven Working-Class Time Pieces" for Performer performed by Aidan Teplitzky at CODA 2022 as part of "Working Classical Music" - 14th of June.
• "Ganguro" for Flute performed by Emily Hicks at the Worcester City Art Gallery and Museum as part of their "Reflections of Japan" exhibit - 6th of May.
• "The Big Light" for Baroque Cello and Multimedia performed by Molly Welling as part of Birmingham New Music's Montage Night - 9th of March.
• "My Tenner" for Performer performed by Aidan Teplitzky as part of Birmingham New Music's Montage Night - 9th of March.
• "Seven Working-Class Time Pieces" for Performer performed by Aidan Teplitzky as part of Birmingham New Music's Montage Night - 26th of January.

2021

• "Seven Working-Class Time Pieces" for Performer performed by The Hadit Collective - 22nd of November
• "Holding" for Telephone available to call - 15th of November
• "Almost Achilles, Always the Heel" for Icebreaker Ensemble performed by The Glasgow Barons as part of Live Today at Drygate, Glasgow - 29th October

2020

• "It's The Burden of Knowing" for Solo Accordion performed online by Miloš Milivojević as part of Psappha's "Composing For" scheme - 2nd of November.
• "The Dregs" for Chamber Ensemble performed by Any Enemy as part of Sound Festival 2020 - 24th of October.
• "The Dregs" for Chamber Ensemble performed online by Any Enemy as part of Sound Scotland's Lockdown Composing - 14th of June.
• "The Management of Oz" for Solo Flute and Loop Pedal performed by Andrew Dardis as part of "Mondays at One: Composition" in the Ledger Recital Room, RCS - 16th of March.

2019

• "The Blind Harper" for Solo Bass Clarinet performed by Sarah Watts as part of "Ten Wee Drams" at the Glasgow Art Club - 16th of November.
• "Instinct and the Fight or Flight Dilemma" for Chamber ensemble performed by members of the Glasgow Improvisers Orchestra as part of the BioMusic collaboration between the RCS and St. Andrews University - 13th of November.
• "The Other Black" for String Quartet, Actor, and Tape performed by the Edinburgh Quartet and the composer at Stirling University as part of the Stirling Art Trusts' 2018/19 exhibition, "Experiences of Exile" - 22nd of June.
• “The Loving Lie” for Soprano Saxophone and Virtual Soprano Saxophone performed by Richard Scholfield as part of The Hadit Collective concert, "The Adolphe Bastard" at the Ledger Recital Room in Glasgow - 18th of June.
• "You Know It" for Alto Saxophone Quartet performed as part of The Hadit Collective concert, "The Adolphe Bastard" at the Ledger Recital Room in Glasgow - 18th of June.
• "The Other Black" for String Quartet, Actor, and Tape performed by the Edinburgh Quartet and the composer at the Scottish Music Centre - 17th of June.
• "Moving On" for Orchestra and Film performed by the Royal Conservatoire of Scotland - 9th of May. 
• ​“The Loving Lie” for Soprano Saxophone and Virtual Soprano Saxophone performed by Richard Scholfield as part of Sunday Night Dinner by Rosacrae Productions at The Old Hairdressers - 28th of April.
• “The Angel's Rot” for Clarinet, Violoncello, and Piano workshopped and performed by the Hebrides Ensemble - 18th April.

• “The Loving Lie” for Soprano Saxophone and Virtual Soprano Saxophone performed by Richard Scholfield as part of The Hadit Collective concert “The puff of the 15 Guinea Special” at The Flying Duck - 27th of March.
• “The Blind Harper” for solo Bass Clarinet performed by Cathal Killeen as part of The Hadit Collective concert “The puff of the 15 Guinea Special” at The Flying Duck - 27th of March.
• “Why Couldn't You be More like Your Cousin?” for Violin, Violoncello, Flute and Bass Clarinet performed by the Bournemouth Symphony Orchestra's Kokoro ensemble for their 2019 Composers Day with Sally Beamish - 2nd of March.

2018

• “Weaving” for Solo Bb Clarinet performed by Yann Ghiro as part of the Royal Conservatoire of Scotland's Clarinet Festival – 14th of October.
• Performance of the songs “The Lyceum”, “Private Lawrence Nealis” and “Lizzie Robinson” by the Glasgow Barons Orchestra and Singer/Songwriter Ainsley Hamill – 23rd of June.
• “Shoot Your Arrow” for Actor and Chamber Ensemble performed by the Royal Conservatoire of Scotland's MusicLab and the composer. Performed as part of Plug 2018 - 11th of May.
• “Selfish Acts” String Quartet No.1 performed by The Brodick Quartet as part of Plug 2018 - 8th of May.
• Performance of the songs “I'll Be Last No Longer”, “Time Stops for No-One” and “You Can't Have Everything” for Actors, Organ and Tape as part of Adam Castle's work “Tonight Tonight No One No More” at the Talbot Rice Gallery – 3rd of May.
• “Them and Us” for orchestra performed by the BBC Scottish Symphony Orchestra and Royal Conservatoire of Scotland students. Performed at the Tramway as part of the cross- collaborative work (with the University of Glasgow, Glasgow School of Art, RCS and the BBC SSO) “Last Futures” by Josh Armstrong – 16th of March.

2017

• “How to Own the Room” for Wind Orchestra performed by RCS MusicLab and featuring several drag artists with costumes by Alisa Kalyanova. Performed as part of Plug 2017 – 12th of May.

2016

• “SCP 434” for Chamber Ensemble performed by the Glasgow New Music Expedition with conductor Jessica Cottis as part of Plug 2016 – May.
• “Butch Queen” for String Orchestra performed by the Royal Conservatoire of Scotland's MusicLab in a new music workshop held at the RCS – March.

2015

• “A Doctor's Dilemma” for Solo Piano performed by Sinae Lee as part of Plug 2015 - May ​